Using the quick selection tool

Start Your Free Design Course. Here you see about the Quick Selection Tool of the Tool panel of the Adobe Photoshop in this article, and now you can easily understand the importance of this tool in Photoshop.

After having a good command of the Quick Selection Tool, you can save your time and can do your work with accuracy without any irritation. This is a guide to Quick Selection Tool in Photoshop. Here we discuss the introduction and how to use the quick selection tool? You can also go through our other related articles to learn more —. Submit Next Question. By signing up, you agree to our Terms of Use and Privacy Policy. Forgot Password? You can find it on the tool panel on the left of your screen.

It should be the fourth option below the Polygonal Lasso Tool. The quick selection icon should look like a paintbrush with dotted lines around the tip. They all work similarly but with varying levels of precision depending on the subject. The quick selection tool is perfect for choosing an object in the photo with an irregular shape. Meanwhile, the object selection tool is best for objects with uniform shape. And finally, we have the magic wand tool which you need to use for objects with lots of nooks and crannies.

Resize your image to a manageable size to keep your computer working efficiently. There are a few different Photoshop selection tools , as we mentioned earlier. Keep adding to it by continuing to drag the cursor within the area. To deselect large areas, hold down the Alt Windows or Option Mac key as you drag the cursor around the area you want to remove. Unlock the Layer in the Layer menu at the lower right of your screen.

Right-click on it and click Duplicate Layer. Click on the eye icon on the bottom Layer to hide it this hidden lower Layer is a back-up in case of Photoshop disasters.

At this point in the process, I tidy up my photograph using the Select and Mask tool. Click on Select and Mask at the top of your screen. Adjust the size, hardness, and spacing of the tool. Then slowly drag your cursor over the edges of the image. My settings for the Select and Mask tool change depending on my selection. I find the Select and Mask tool fantastic for fluffy edges or hair.

I use the Brush tool for harder lines more about that shortly. It would be best if the lighting in your background matches the selection.

Furthermore, you should pay attention to the direction of the light. Even a small difference in the perspective can throw people off and immediately recognise the image is artificial.

To ensure Photoshop displays both the background and your selection, check if the layers on the lower right of your screen are in the right order. Your background should be underneath your selection and layer mask. If the subject and background images look mismatched or inconsistent, use Lightroom or Adobe Camera Raw to make adjustments.

Start with the temperature and brightness of one of the photos. Sometimes adjusting saturation and luminance of individual colours also helps. But make sure the contrast, clarity, and shadows are the same.

Converting your image to black and white allows you to work with shades of grey and black. The elimination of colour would help you better match your selection to the background.

When your selection is in their new environment, check to see if you need to do a final tidy up of the edges. Click on the layer mask on the layer menu , then click on the Brush tool.